Rush to Judgement On Lily Allen “Hard Out Here”?

I’m still trying to understand the Lily Allen “Hard Out Here” video. It was supposed to be a satirical video of the sexism, racism, and double standards of the music industry.  However, some very opinionated observers argue that it became the exact problem it was trying to disintegrate.

Concerning the actual video itself, yes, of course Black women were used as props as indicated by responses to this previous article. They were props just like they were in Juvenile’s “Back That Azz Up,” Sisqo’s “Thong Song,” and every other hip-hop video from the vault of raunch and even recent  films such as Quentin Tarantino’s Django Unchained, in which Kerry Washington was both the prize and the pawn, as the intelligent, soft-spoken slave Broomhilda.

The appraisal for Allen went from “Hallelujah” for its blatant mockery of Miley Cyrus’ adoption of twerk and pseudo hip-pop “culture” and Robin Thicke’s chauvinistic “Blurred Lines,” to suddenly: “How dare she use Black dancers gyrating suggestively in her video?”


So in a 24-hour span,  it was racist of Allen to have lascivious dancing as she was eagerly attempting to make a point of how disrespectful these clips have been since the infamy of Too Short albums and 2 Live Crew shows, but Rihanna’s recent “Pour It Up” video isn’t racist with its share of Black strippers and twerk masters?

What’s so different?

While viewing “Hard Out Here” for the second time, I paused the video and asked a male companion to watch it with me. By the middle of the clip, I could no longer wait to ask what he thought, and he said in one word: “distasteful.” A Black man watching Allen’s satirical clip found that, in spite of what she was trying to say, which he quickly caught on to, she was perpetuating the same thing as any rapper, and it was disrespectful because she is White.

I found this perspective necessary to acknowledge because when a White girl is encircled by Black dancers rather than a rapper caressed by thirsty females, all those slow-mo, butt-rippling shots in a music video abruptly become too much to handle. If you felt uncomfortable watching those shots, that was the point.  Such images are low-class and demeaning. Just like Nelly’s”Tip Drill,” and so many others from the early to mid-2000s.

How, and why, is it any different when a Black person does it? “Because it’s their culture,” some would respond with. Yes, it is, but are they representing their culture in an appealing manner or in a way that is strictly personal? Compare “Tip Drill” to Mystikal’s carnal “Shake Ya Ass” and back again to “Hard Out Here.” Aren’t all three out of line, or is one more so than the other and why?

The switch in commentary was also eye-opening because I’m not quite sure if it was Black or White viewers that first realized something wasn’t all the way quite kosher about Allen’s attempt.

Mainly it’s been White writers vocally denouncing Allen and I couldn’t help but wonder… Are such declarations from White writers commenting on the mistreatment and misconceptions of women of color from popular culture to news coverage, true concern with the progress of Black America in America? Or is it only important because it is the hot button topic of the week and can no longer be ignored due to being factual?

The thing is, once these White writers so intently scribe about what it must feel for a Black girl when they see such images, they close their MS Word documents and go on to live in a utopia in which a protective awning is provided, even if White privilege is more discreet than ever. The frustrations and specific set of concerns associated with being a White girl are less on broadcast to the world than it is for Black women.

While I can see why “Hard Out Here” became viewed as racist, is this going to change anything about how women, and especially Black women will be projected to us on screen? Every so often, we receive material like this, and the outcome is the same. Outrage at the blatant racism, and yet flashier, more gratuitous scenes, lyrics, and styles come to the forefront.

Every Fashion Week season from New York to Paris, there’s a round-up of how many women of color walked the runways, and yet the low numbers remain just that the next year.While Janelle Monae’s “Q.U.E.E.N.” was seemingly the original answer to Thicke’s “Blurred Lines,” it’s now Allen’s “Hard Out Here” that’s being heralded as a throwback to the women in music era of the ’90s, and the spark for further conversations on cultural appropriation and patriarchal system. With everyone being so aware of all that is wrong, what are we still waiting for?